From the Original Text
“Casting on.—Make a loop, put it on the needle, holding the short end of the cotton in the left hand, and the ball end in the right; put the needle under the cotton which crosses the left forefinger, draw up a loop and put it on the needle, draw up the cotton and repeat.”
— Thérèse de Dillmont, Encyclopedia of Needlework, 1886
Modern Step-by-Step Instructions
Casting on creates the foundation row of loops that begins every knitting project. This essential technique determines edge appearance, stretch, and stability, making proper execution crucial for successful knitting. The method described by de Dillmont is known today as the “long-tail” or “Continental” cast-on, prized for its neat appearance and built-in stretch.
What You’ll Need
- Knitting needles — Appropriate size for chosen yarn and pattern
- Yarn — With adequate length for number of stitches needed
- Stitch count — Know how many stitches your pattern requires
- Practice time — Building smooth, even cast-on takes repetition
- Measuring tool — For estimating yarn tail length
How to Work the Casting On
- Estimate tail length about 4 times your needle length for your cast-on.
- Make slip knot at measured distance and place on needle.
- Hold tail end over left forefinger, working yarn over right forefinger.
- Insert needle under yarn crossing left forefinger from below.
- Catch working yarn with needle tip and draw through loop.
- Place new loop on left needle, maintaining proper orientation.
- Snug stitches gently without pulling too tightly.
- Repeat until desired number of stitches are cast on.
Expert Tips for the Perfect Casting On
- Leave adequate tail length—running out mid-cast-on is frustrating
- Keep consistent tension for even stitch appearance
- Count stitches carefully as you work to avoid mistakes
- Practice until the rhythm becomes automatic
- Don’t cast on too tightly—edge should have some stretch
- Use stitch markers every 10 or 20 stitches for large cast-ons
Traditional Uses
Casting on began every Victorian knitting project:
- Garment foundations — Starting sweaters, cardigans, and fitted pieces
- Accessory beginnings — Initiating scarves, shawls, and wraps
- Sock construction — Beginning cuffs for stockings and socks
- Household items — Starting dishcloths, washcloths, and utility pieces
- Baby garments — Beginning soft, comfortable infant clothing
- Winter accessories — Starting mittens, gloves, and caps
- Decorative projects — Initiating lace doilies and fancy work
Historical Note
Casting on represented the crucial first step that could determine the success or failure of entire knitting projects during the Victorian era. A poorly executed cast-on would create problems throughout the garment construction, making proper technique essential from the very beginning. De Dillmont’s detailed instructions reflect the period’s systematic approach to needlework education, where foundational skills received as much attention as advanced techniques. The long-tail method she describes was particularly valued for its neat appearance and built-in elasticity, qualities essential for the fitted garments Victorian fashion demanded. Since knitting was a necessary domestic skill, young women practiced cast-on technique until they could execute it smoothly while conversing or attending to other tasks. The ability to begin projects confidently with professional-looking edges distinguished skilled needleworkers and ensured that handmade garments met the high standards expected in Victorian society.
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